Y-COMIC-X? EXHIBITION DESIGN, SHENZHEN, CHINA
百年国漫大展空间设计 中国深圳
Location: Sea World Culture and Arts Center, L1 Main Venue, 1187 Wanghai Road, Shekou, Nanshan, Shenzhen, China
Status: Completed July, 2019
Exhibition Duration: July 20, 2019 - September 30, 2019
Area: 1280 sqm
Curator: Design Society
Design Consultant: Studio 10
Principal-in-charge: Shi Zhou
Design Team: Chunhui Mo, Xin Zheng, Meishi Zhao, Zixia Huang, Cristina Moreno Cabello, Hao Wu (intern) , Yue Yu(intern), Liangyu Shen(intern), Ming Tang (Project Assistant), Jiaxiao Bao(Project Assistant)
Graphic Design Consultant: SureDesign
Photographer: Chao Zhang
Studio 10 Wechat/Instagram: studio10design
项目地址：中国深圳市南山区蛇口望海路1187号海上世界文化艺术中心一楼主展馆
完工时间：2019年7月
展期：2019年7月20日-2019年9月30日
面积：1280平米
策展方：设计互联
展览设计顾问：Studio 10
主管合伙人：周实
设计团队：莫纯煇，郑鑫，肇美施，黄子夏，Cristina Moreno Cabello，吴昊（实习），于越（实习），沈亮瑜 (实习），汤鸣（项目助理），包嘉晓（项目助理）
平面设计顾问：烁设计
摄影师：张超
Y-COMIC-X? Exhibition Design
The design of the Y-COMIC-X? Exhibition of Chinese Comics for the Design Society at the Sea World Culture and Arts Center aims at exploring the essence of Comics - Comics is essentially a kind of narrative drawing that expresses three-dimension (i.e. space, geometry) and four-dimension (i.e. movement, time) on two-dimensional media in specific ways. For example, storyboard is a common tool in comics to express narrative order, while dots, lines, brush strokes are often used to indicate the turning of three-dimensional geometric shapes, depth of space, speed and movement, etc.
Through the extraction and abstraction of commonly present elements in comics such as frames, profiles, storyboards, brush strokes and so on, the design explores the transformation amongst various dimensions in all 6 Chapters of the exhibition space, allowing the audience to be immersed in a multi-dimensional realm of comics to explore its dynamic trans-dimensional interactions, and more importantly, to have fun.
百年国漫大展空间设计
设计互联海上世界文化艺术中心百年国漫大展的展览空间设计试图探究漫画的本质为何 ：漫画是一种叙事性绘画，在二维平面媒介载体上通过一些特定的方式表现三维（空间、形体）、四维（动态、时间）- 如漫画中常见的分镜框展现了叙事顺序，而点、线等笔触的使用则勾勒出三维几何形体的转折、空间距离的远近、速度的快慢及动态的走向等。
本次展览的空间设计结合展览六个部分的主题和展品，对漫画中常见的线框、勾边、分镜、笔触等元素进行抽象、提取，试图在空间中探索不同维度间的转换，使参观者仿佛置身于一个多维度的全息漫画世界，在观展过程中充分体验漫画所呈现的二维、三维、四维间的动态交互关系和乐趣。
